剧情简介
康沃尔(ěr )渔(🌠)村的风景(jǐng )明信片田(tián )园(yuán )诗误导了人们。虽(suī )然过去(qù )(🛍)钓鱼是一种养(yǎng )(🎺)家糊(hú )(🎗)口的(de )方式，但(dàn )如今富有(yǒu )的伦(🥩)敦游客纷(📿)纷(fēn )下(👋)山，取代了当地人，当地(🖲)人的生计因(👑)此(cǐ )受到(dào )(🗄)威胁。史蒂文和(hé )马(mǎ )丁兄弟(dì )的(🚉)关系也很紧张。马丁是一(😚)个没有船的(🚸)渔夫(🚑)，因为史蒂文开(kāi )始用它来为一整天的游客提供(gòng )(🚨)更赚(zuàn )钱的旅游。他们(🌑)卖掉了这(🥎)座家庭别墅，现在看(🏂)来，最后一场战(zhàn )斗是和(hé )(💪)新主人在海边(⛏)的(de )停车(chē )位上展开(🤲)。然而，情(qíng )况很快就失控(kòng )(🕐)了(le )，而不(🧣)仅仅(jǐn )(⚾)是因为车轮(lún )(🤘)夹钳。 Bait是一种黑(hēi )白，手工制(zhì )作，16毫米胶片制作的(🌼)电影(💹)。许多关于鱼(🏒)、(🙎)网(wǎng )、龙虾(🈺)、长靴、绳结(⏲)和渔篮的特写镜(jìng )头让人想起(🐞)了蒙(🏃)太(🔞)奇景点的(de )理论(lùn )(🔙)。对不同社会阶层的(de )(🚡)描(miáo )述——可以说是阶(👛)级关系——也让人想起了英国电影中的社会(✖)现(🕺)实(💑)主义(😉)传统。然而，最(💁)重要的是，在影像中不同层次的(🚪)电影历(lì )史(💛)参(cān )考文(wén )献之下(✒)，当前(🙅)许多(🛌)政治(zhì )关联正在等待被发(fā )现(xiàn )。 (🐣)The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🎓)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
猜你喜欢
剧情片周榜单
