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一(🈯)直(🕕)作為米路斯．科曼劇(jù )本(📼)鐵三(🏽)角（(🍩)另一位是帕培錫(xī )，也是本片編劇(jù )之一(yī )）成(🆖)員的艾雲．巴(bā )薩(sà )(🏴)，當然(🥩)也走低度(📿)戲劇路(lù )線(xiàn )。同(❣)是音樂家的(de )彼德(dé )與卡洛老友重逢(féng )，生活狀況(kuàng )大不同，你有(yǒu )伴(🛹)侶我(wǒ )有家庭(tíng )，然(📞)而(🎿)都有說不出(chū )的不(🙁)明朗，唯有以(yǐ )酒(🕕)與音樂代替口水(shuǐ )。全片推展不問目的，只在剎那間的意圖，行(🎛)行(🌊)企企比起科曼(màn )更義無(wú )反(🐑)顧，卻有生(shēng )活淡如流水(shuǐ )的詩(shī )意和繆思，叫觀眾聯想到二十(shí )年後(😍)的伊(👺)力．盧(lú )(🤳)馬。巴薩(🐀)鍾愛音(🧣)樂(lè )的(de )程度不下於(yú )文字(❕)和電影(yǐng )，古典音樂與民(mín )間音(yīn )樂於(yú )全片迴轉迴盪(dàng )，難怪(🤷)成了奇斯洛夫斯基十大心愛電影(yǐng )之一。 (🤔) 康城影(yǐng )展青(👌)年(💏)評審團獎，美國全國影評人協(🚲)會特別(bié )獎 這部1966年的珍品，是捷(🔲)克新浪潮(👗)短暫生命中(zhōng )(🔪)最佳作(🛃)品之一。成(🤼)名(❓)音樂家到小(xiǎo )鎮探訪(🚩)舊同學，舊(jiù )(💁)同學是個窮音樂(🐈)教師，有(yǒu )時在(zài )(🈂)喪(🚪)禮(lǐ )上吹奏(zòu )樂曲(😲)。平(⛅)凡的(✒)素材(🈸)在巴素手(🍾)裡，變出風趣(♊)復罕(hǎn )見的(🍉)旋律，一(🌒)部憂鬱的喜劇(jù )，或灰色喜劇。 (🔝) - Dave Kehr, Chicago Reader (🍂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🐃) (🍓) (🧐)Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🌓) Source HKIFF Czech New Wave 2006
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